Oh Captain, My Captain

As I gushed quite enough about The Avengers on Tuesday, today I’ll keep my focus entirely on the actual (non-Avengers) parts of Captain America.

Let’s start off with the fact that it’s good. It’s not Iron Man good, but it’s almost Thor good, way better than some of the Spiderman or X-men movies that have been out in the last ten years, and a country mile better than Green Lantern.

Chris Evans manages to cast off his default wisecracking persona to bring humility and valour to Captain America. I know I said I wouldn’t mention the Avengers, but the character Evan’s portrays will play off against Tony Stark and Thor excellently. And whilst he’s great as Cap, he’s almost better as Steve Rogers, the plucky weakling who’s determined to not get pushed around by bullies. Here we see some excellent CGI, as Evan’s head is superimposed onto the body of a scrawny man-child. It jars a little at first, but that’s only because you know what Chris Evan’s should look like. If he had been an unknown, it would have appeared a lot smoother.

The supporting cast is solid. Sebastian Stan is breaking Hollywood as “Bucky” Barnes, Rogers’ best friend, and I wonder if seeds are being sown for an eventual “Winter Soldier” appearance in the next Captain America film. Dominic Cooper is suitably suave as Tony Stark’s father (or Grandfather, not sure of the timelines on this one), although his accent slips a couple of times. Tommy Lee Jones continues to sleep in Tupperware and gives good support as Steve’s army drill sergeant and Stanley Tucci consistently chews the scenery as Dr Erskine.

Relative newcomer Hayley Atwell manages to be a believable love interest, managing to make the character an attractive and appealing match for Rogers by playing on her strengths rather than making her weak and helpless. Then you have Hugo Weaving, giving an epic panto villain level performance as Red Skull (I’m sure we’ve not seen the last of him).

The film itself is a great balancing act. Book ended by Cap being discovered and thawed out in the present day, the majority of the film is (naturally) set in World War 2. After Rogers gets the Super Soldier Serum he becomes a poster boy for War bonds and then through a somewhat contrived (yet still entertaining) turn of events, he ends up leading a rag-tag team on covert missions against Hydra. Interesting side-note, in possibly the greatest attempt I’ve ever seen to establish an organisation as evil, at one point in the film Hydra is disavowed by the Nazis. That’s right, THE NAZI’S THINK THEY’RE TOO EVIL. Brilliant.

There’s lot’s of cross over with Thor (the same energy cube that turns up at the end of Thor plays a big part in this film), and overall it’s good watch with some solid action scenes.

Although it is primarily all set up for The Avengers.

(sorry).

Trailer blazing

So Monday saw the release of the new teaser trailer for “The Dark Knight Rises” followed by excitement at the few frames that show Tom Hardy as Bane. It’s not a bad trailer, but personally I would have rather seen a bit more from the new film and less clips from the previous two. That said the line “every journey has an end” did get me more than a little excited in anticipation of the conclusion to the Caped Crusader’s story.

Speaking of trailers, in order to combat the “rise” of Batman teasers (boom boom), Marvel have released the first full trailer for The Amazing Spiderman. I wasn't really a fan of rebooting the franchise so quickly after Spiderman 3 (which admittedly, wasn't any good), but as trailers go, it's actually pretty spectacular. Speaking of Marvel, I'm also guessing that they'll start teasing The Avengers pretty much as soon as Captain America’s cinema tenure begins to close. More than likely it’ll all tie in to the post credit sting of Cap… not long to wait now. I’m still predicting Stark or Fury thawing him out.  

And whilst all the talk this week seems to be revolving around the final instalment of Christopher Nolan’s Batman opus, another trailer has begun to do the rounds. Looking to replace a huge studio budget with originality, the mysterious MH trailer seems suggest something that might shake up the superhero landscape in a way that hasn’t been seen since Kick Ass. I’ll be watching eagerly for more on this project:

http://www.youtube.com/watch?v=W10Td90t-Y8&hd=1

Sometimes just a little can whet the appetite for more…

Earth’s Mightiest Cartoon

I mentioned yesterday that I had been finishing up the first series of “Avengers: Earth’s Mightiest Heroes”. And what a season finale it was. After “X-men Evolution”, the rebooted “Spiderman” cartoon and the “Fantastic Four” I had all but given up on the animated Marvel stuff…none of it was reaching the glory days of the nineties when we had the excellent “X-Men” and the spectacular “Spiderman” running at the same time. See, alliteration can be our friend.

Especially as DC then took the ball and ran with it, bringing out (arguable) one of the best animated series ever in “Batman”, followed up by “Justice League”/“Justice League Unlimited”, which until they ceased production I used to hold up as an example to anyone who said they weren’t making decent cartoons anymore. Then DC split into two different avenues of cartoon production. On one hand they were making the extremely child friendly “Batman: Brave and the Bold” and on the other they were created feature length animated movies that were entirely aimed at the adult market. Most of which are brilliant, especially “Batman: Under the Red Hood” and the two Superman/Batman movies.

So Marvel was left to try and fill the gap in the market for an ongoing cartoon series that wasn’t aimed squarely at five-year-olds. In my opinion the first real foray into this was the wholly underrated “Wolverine and the X-men”, which was cancelled after one series (disappointingly, it was just when they’d gotten to the Age of Apocalypse).

So I was somewhat apprehensive about “Avengers; Earth’s Mightiest Heroes”, partly because I was always more of a fan of the X-men than the Avengers, and also because it seemed like it was just another merchandising opportunity for Marvel to cash in on the wave of Iron Man, Thor and Captain America fever that they were hoping would sweep the globe. So colour me pleasantly surprised when I found out what a hidden gem this series was.

Firstly, it takes it’s time. This is a much overlooked and undervalued concept in television, especially cartoons. It really felt like the whole series had been plotted before they starting making it, and was all the better for it. The first five episodes (re)introduce the acquainted and unacquainted viewers to characters which they may or may not be aware of (bearing in mind that at the time of first transmission neither the Thor or Cap movies had hit cinemas). Characters like Ant Man, Wasp, Hawkeye and Black Panther were all given at least half an episode to establish them as heroes individually, before Thor, Ant Man, Wasp, Iron Man and Hulk formed the first iteration of the team in episode 6/7. Hulk leaves in episode 8, Cap gets thawed out in 9 and it’s not until the end of episode 13 that we first see the full team together, and that’s halfway through the series. And it’s not just the heroes. They set Loki up in episode 2 and throughout the series progress his machinations before he ends up being the big bad at the end of the season. Most members of “The Masters of Evil” get a whole origin episode, and Kang the Conqueror’s vendetta with Cap is set up from the very beginning. You really feel if shows like “The Event” and “Flashforward” had been plotted this tightly, they wouldn’t have been cancelled.

Secondly, the character development is great – a lot better than you’d expect from a superhero cartoon. Hulk can’t function as part of the team as he thinks they don’t trust him, Ant Man is a pacifist who doesn’t want to solve problems with violence, Hawkeye is in love with Black Widow and conflicted about her betrayal and Iron Man is trying his best to lead the team despite it being obvious to everyone (especially himself) that Captain America would be a better leader. The villains are well drawn too (some of them anyway). Wonder is conflicted by the fact he has to do evil in order to stay alive, and Ultron’s character evolves until he is in full-on, destroy the planet mode.

Finally, it’s just a bit more mature. Characters get killed (more often than not it’s off screen, but it does happen); with Black Panther’s father a prime example. The stories are action packed enough for children to enjoy on a superficial “look at Hulk smash” level, with enough ongoing story arcs and set ups for future episodes to keep more grown up viewers entertained. They’ve already set up stories for season two, which I really hope they make. Look forward to a Skrull invasion and finding out what happened to Bucky...

All in all, a great series that has really redeemed Marvel in the animated stakes. I can’t recommend it enough - it’s a really strong series.

But then, Hulk is strongest there is...

The rock and roll lifestyle

The other night I found myself at home alone. Jane had gone out to a restaurant before going to see a gig at the o2. I was sitting at home in my Spiderman lounge pants watching the three-episode season finale of “Avengers: Earth’s Mightiest Heroes”. Who can say who leads a more exciting and cosmopolitan life?

Pretty sure it’s me though.